Emanations is a collective name for a series of abstract practices — working with paint, colour, and matter beyond the figurative order of the image. The cycle emerged at a moment when earlier painterly experiences began to move beyond the world of representation. After the Crimea 1896 cycle, where colour and dissolving form remained as the essential elements, and after the experiences of Broken Tale, abstract works began to emerge as an independent field of exploration. Emanations was an entrance into a pure space of colour and intuition, beyond figuration — an immersion into the energy of painterly matter and the freedom of form. It was a moment of complete openness towards the painting process: colour, gesture, chance, and intuitive decisions. Form began to lose its previous meaning, giving way to rhythm, light, texture, and the emotional trace of paint.